Monday, February 8, 2010

Want to get into Modeling? Dont make these mistakes..... 12 things to take note of


Avoiding The Biggest Mistakes

  1.  Do not spend thousands of dollars on pictures or instruction before finding an agency. Spend a few dollars on a simple book like The Professional's Guide to Modeling or Break into Modeling for Under $20
  2. Do spend your money wisely on a photo shoot and comp cards after gaining representation
  3. Do not invest in expensive products and clothing,
  4. Do invest in yourself, your smile, style, health and well being.
  5. Do not spend a great deal of money on pictures for children
  6. Do have at least one good shot on a comp card
  7. Do not spend any money on pictures of babies
  8. Do have a good snapshot of your baby with you and on file with the agency.
  9. Do not shoot an entire portfolio(Book) before you have worked in the industry. A portfolio is your work.
  10. Do start your book off with one excellent test shot
  11. Do not pay money upfront for any reason for representation
  12. Choosing the wrong agency and the wrong market can lead to spending thousands of dollars unnecessarily. Determine your market and find an agency that handles that market.

Saturday, February 6, 2010

How To Spot and Avoid Modeling Scams and Rip Offs

HOW TO AVOID MODELING SCAMS

If You've Got "The Look" . . . Look Out!
Avoiding Modeling Scams
What could be more flattering? Someone approaches you at the mall and says, "You could be a model. You've got the 'look' we're after. Here's my card. Give me a call to set up an appointment." People have always said you're good looking. Now, visions of glamor, travel and money flash before your eyes.
More and more successful models have been discovered in everyday places like Myspace, malls, boutiques, clubs, and airports. But the vast majority of would-be models knock on door after agency door before work comes their way.

It's All an Act
If and when you make that follow-up appointment, you'll probably find yourself in an office filled with lots of other model and actor hopefuls. Then the spiel starts. What you thought was a job interview with a reputable talent agency turns into a high-pressure sales pitch for modeling or acting classes, or for "screen tests" or "photo shoots" that can range in price from several hundred to several thousand dollars.
Man, woman, or child — it makes no difference to bogus model and talent scouts. Often, these scouts are after one thing — your money — and will say just about anything to get it. But what they say isn't always what they mean. If they want to teach you how to model, dont bother. You can easily buy a book like: How to Become a Model (Or Just Look Like One)

What They Say vs. What They Mean
Unscrupulous model and talent scouts have their acts down pat. Listen carefully to read between their lines. If they don't want money, it is probably real.
  • "We're scouting for people with your 'look' to model and act."
    I need to sign up as many people as possible. My commission depends on it.
  • "Your deposit is totally refundable."
    Your deposit is refundable only if you meet very strict refund conditions.
  • "You must be specially selected for our program. Our talent experts will carefully evaluate your chances at success in the field and will only accept a few people into our program."
    We take almost everyone.
  • "There's a guaranteed refund if you're not accepted into the program."
    Everyone's accepted into the program. Forget the refund.
  • "You can't afford our fees? No problem. You can work them off with the high-paying jobs we'll get you."
    We demand payment, whether or not you get work.
  • "Commissions from our clients are our major source of income."
    Our income comes from the fees we charge you.
Pose-itioning Yourself
  • To break into the business, you — the talent — need professional photos. There are two types of standard photographs — a "head shot" and a "composite card."
  • The typical marketing tool for an actor, experienced or not, the head shot usually is an 8" x 10" black and white photo of the face, with your resume printed on the back.
  • A "comp card," the typical marketing tool for the experienced model or the wannabe, usually features several shots on the same sheet, showing off the talent in different attire or settings.
  • Agencies and schools offer separate and distinct services. Make sure you know the difference.
  • Modeling (or talent) agencies secure employment for experienced models and actors. Some agents require that you sign up exclusively with them; others may allow you to register with them as well as with other agencies in town.
  • Modeling and acting schools claim to provide instruction — for a fee — in poise, posture, diction, skin care, make-up application, the proper walk, and more.
  • Modeling schools do not necessarily act as agents or find work for you — after you take their classes, you may be on your own.
Talent Tips
  • Steer clear of modeling companies that require you to use a specific photographer.
  • Compare fees and the work quality of several photographers.
  • Be suspicious if a company requires an up-front fee to serve as your agent.
  • Be cautious if the school has a special referral relationship with a specific modeling agency. The two could be splitting your fees, or the agency may not be suited to your needs.
  • Get a book like: The Complete Idiot's Guide to Being a Model, 2nd Edition
Avoiding a Model Rip-Off
  • Ask yourself, "why me?" Don't let your emotions — and the company's flattery — take control. Think carefully and critically about how you were approached: if it was in a crowded mall, think how many others also may have been approached.
  • Avoid high-pressure sales tactics. Never sign a document without reading and understanding it first. In fact, ask for a blank copy of the contract to take home and review with someone you trust. If the company refuses, walk away.
  • Be leery of companies that only accept payment in cash or by money order. Read it as a strong signal that the company is more interested in your money than your career.
  • Be wary of claims about high salaries. Successful models in small markets can earn $75 to $150 an hour, but the work is irregular.
  • Ask for the names, addresses and phone numbers of models and actors who have secured successful work — recently — based on the company's training.
  • Check out client claims. If an agency says it has placed models and actors in specific jobs, contact the companies to verify that they've hired models and actors from the agency.
  • Be skeptical of local companies claiming to be the "biggest" agency or a "major player" in the industry, especially if you live in a smaller city or town.
  • Realize that different parts of the country have different needs. For example, New York is recognized for fashion modeling; the Washington/Baltimore area is known for industrial or training films.
  • Ask if the company/school is licensed or bonded, if that's required by your state. Verify this information with the appropriate authorities, such as your local consumer protection agency or state Attorney General. Make sure the license is current.
  • Ask your local Better Business Bureau, consumer protection agency and state Attorney General if there are any unresolved consumer complaints on file about the company.
  • Get everything in writing, including any promises that have been made orally.
  • Keep copies of all important papers, such as your contract and company literature, in a safe place.
You've Got the Cutest Little Baby Face
A special word to parents of infants and toddlers
Think your child is model material? Bogus talents scouts do. And they'll gladly set up a professional photo shoot to allegedly help you get modeling and acting jobs for your tyke. Of course, they don't tell you that the market for infant models and actors is very small. What's more, because an infant's looks change quickly, the photos become outdated. In truth, few infants are marketed with professional photos. Legitimate agents, advertising agencies, casting directors and producers generally ask for casual snapshots of infants that have been taken by family members or friends.

Where to Complain
If you've think you've been scammed by a bogus model or talent scout, contact your local consumer protection agency, state Attorney General, or Better Business Bureau. They're in your local directory assistance.

You can file a complaint with the FTC by contacting the Consumer Response Center by phone: toll-free 1-877-FTC-HELP (382-4357); TDD: 202-326-2502; by mail: Consumer Response Center, Federal Trade Commission, 600 Pennsylvania Ave, NW, Washington, DC 20580; or through the Internet, using the online complaint form. Although the Commission cannot resolve individual problems for consumers, it can act against a company if it sees a pattern of possible law violations.

The FTC publishes free brochures on many consumer issues. For a complete list of publications, write for Best Sellers, Consumer Response Center, Federal Trade Commission, 600 Pennsylvania Ave, NW, Washington, DC 20580; or call toll-free 1-877-FTC-HELP (382-4357), TDD 202-326-2502.

Friday, November 13, 2009

Can Social Media Change the Way Talent and Screenplays are Discovered and Sold in Hollywood

Can Social Media Change the Way Talent and Screenplays are Discovered and Sold in Hollywood

How to Become a Fashion Model

How to Become a Fashion Model

The problem with writing an article on "How to become a fashion model" is that you can't really become a model. Either you were born that way or you weren't. And if you were, somebody has probably already discovered you, in which case you don't need to read this. But if you happen to be one of those rare creatures that is a potential print-ad model, or a runway model not larger than a size 6; have perfect skin; between 14-20 years of age still; and un-discovered, we can give you some pointers on how to get started. 

Finding and Agency

Most models are recruited by modeling scouts who roam around the country in a tireless search for fresh faces. Models are often discovered in shopping malls, schoolyards, clubs or other obvious places where young people hang out. If you fit the requirements, it's very likely that you will be noticed. You can also send pictures of yourself to an agency. At the end of the article you'll find the addresses of the top agencies in New York and Paris. You're better off sending a few simple photographs than trying to create an expensive portfolio. The simpler the photographs are, the better it is. An agency wants to see a natural face, not someone that's playing dress up and trying to strike supermodel poses. Another way to get signed is to go to agencies's open castings. Call the agencies's reception desks to find out when those are. Although some models have been discovered through model conventions, most schools and competitions is generally a waste of money. "You shouldn't have to pay anybody to get access to an agency" says Eric Greenstein of "Greenstein-Shannon Management" in Los Angeles


Starting your Career

Unless you already live in New York, Paris, or Milan, you will most likely have to move there after you've signed with an agency. They will find you an apartment and help you get settled with your new life. But the beginning of a modeling career is a very difficult time: "You need to have a strong character," says Helène Caroline Bodet who is a booker at Elite in Paris. "In the beginning many girls feels insecure and weak. They're far away from home and maybe they don't get any jobs at first." The agency will try to support you through difficult times: "We let them know that it's OK to cry in front of us and try to give them security and trust, but we can't take the place of a family," says Bodet. An agency can also not be there to protect you 24 hours a day. We all know the stories of young models that have been drugged and violated by people they met in clubs, or ripped off by scam artists who promised them the moon. "The fame and glamour of this business attracts a lot of sharks," says Bodet, "we always tell the models not to believe what anybody tells them and not to listen to anyone who promises them anything." Ambitious models stand a much better chance to be successful. Although it is of course exciting to be on your own in a big city and glamorous to hang in the VIP room at all the hippest night spots, you have to be disciplined and keep going to castings and show up to meetings on time. "The girls that never make it are the ones that don't take modeling as a real job," says Bodet.

Presenting Yourself

Presenting yourself for clients is an important part of the job. "Many girls make the mistake of trying to look elegant and sophisticated, but they don't have the fashion knowledge to pull that off," says Bodet. "The client wants to see the natural beauty of the model. We try to teach them not to wear make up - except maybe a little blush - and just have clean hair and nice nails." She also recommends dressing simply - jeans and a t-shirt will do - and wear nice shoes with medium high heels. It is of course also extremely important to have a pleasant and professional attitude. However, don't to try too hard to be charming. Clients are generally more impressed by someone who has a take-it-or-leave-it attitude than someone who seems desperate to get the job. 

NEW YORK CITY MODELING AGENCIES:
 
1 MODEL MANAGEMENT
424 W Broadway, 2nd Floor
New York, NY 10012 USA
Phone: 1-212-431-0054
Fax: 1-212-431-1723
www.1modelsmanagement.com

APM MODEL MANAGEMENT INC
580 Broadway, Suite 507
New York, NY 10012 USA
Phone: 1-212-941-9666
Fax: 1-212-925-2075
www.apmmodelmanagement.com

CLICK MODEL MANAGEMENT INC
129 W 27TH Street, Penthouse
New York, NY 10001 USA
Phone: 1-212-206-1616 (Women’s Division)
Phone: 1-212-206-1717 (Men’s Division)
Phone: 1-212-206-1414 (Special Sizes)
Fax: 1-212-206-6228
clickmodel@aol.com

CODE MANAGEMENT
347 Fifth Avenue, Suite 300
New York, NY 10016 USA
Phone: 1-212-679-5711
Fax: 1-212-679-5738
www.codemodelmanagement.com

 CUNNINGHAM, ESCOTT & DIPENE
257 Park Avenue S, Suite 900
New York, NY 10010 USA
Phone: 1-212-477-3838
Fax: 1-212-673-2359
www.cedtalent.com

ELITE MODEL MANAGEMENT
404 Park Avenue South
New York, NY 10016 USA
Phone: 1-212-529 9700
Fax: 1-212-475 0572
www.elitemodel.com

FORD MODELS-NEW YORK
111 5th Avenue
New York, NY 10003 USA
Phone: 1-212-219-6500
Fax: 1-212-966-1531

IMG MODELS
304 Park Ave South, Penthouse North
New York, NY 10010 USA
Phone: 1-212-253-8882
Fax: 1-212-253-8883
www.imgworld.com

MAJOR MODEL MANAGEMENT
381 Park Avenue South, Suite 1501
New York, NY 10016 USA
Phone: 1-212-685-1200
Fax: 1-212-683-5200
majormodelmgmt@aol.com

MARILYN INC
32 Union Square East, Penthouse
New York, NY 10003 USA
Phone: 1-212-260-6500
Fax: 1-212-260-0821
www.marilynagency.com

NEW YORK MODEL MANAGEMENT
596 Broadway, Suite 701
New York, NY 10012 USA
Phone: 1-212-539-1700
Fax: 1-212-539-1775
www.newyorkmodels.com

NEXT MANAGEMENT-NEW YORK
15 Watts Street
New York, NY 10013 USA
Phone: 1-212-925-5100
Phone: 1-212-334-3337 (Men)
Phone: 1-212-226-2225 (New Faces)
Phone: 1-212-925-3900 (Women)
Fax: 1-212-925-5931
www.nextmodelsusa.com

Q MODEL MANAGEMENT
180 Varick Street, 13th Floor
New York, NY 10014 USA
Phone: 1-212-807-6777
Fax: 1-212-807-8999

TRUMP MODEL MANAGEMENT
91 Fifth Avenue, 3rd Floor
New York, NY 10003 USA
Phone: 1-212-924-0990
Fax: 1-212-645-4940
www.trumpmodels.com

LOS ANGELES CITY MODELING AGENCIES:




CUNNINGHAM, ESCOTT & DIPENE
10635 Santa Monica Boulevard, Suite 135
Los Angeles, CA 90025 USA
Fax: 1-310-475-6146
www.Cedtalent.com

ELITE MODEL MANAGEMENT
345 North Maple Derive, Suite 397
Beverly Hills, CA 90210 USA
Phone: 1 -310-274-9395
Fax: 1-310-278-7520
www.elitemodel.com

GREENSTEIN-SHANNON MANAGEMENT
927 Vista Street
Hollywood, CA 90046
Phone: 323-898-5350
TalentCreative@gmail.com
www.creativetalent.webs.com


FORD MODELS- LOS ANGELES
8826 Burton Way
Beverly Hills, CA 90211 USA
Phone: 1-310-276-8100
Fax: 1-310-276-9299

L.A. MODELS
7700 Sunset Boulevard
Los Angeles, CA 9004 USA
Phone: 1-323-436-7700
Fax: 1-323-436-7755
www.lamodels.com

NEXT MANAGEMENT- BEVERLY HILLS
8447 Wilshire Boulevard, Suite 301
Beverly Hills, CA 90211 USA
Phone: 1-323-782-0010
Fax: 1-323-782-0035
www.nextmodelsusa.com

NOUS MODEL MANAGEMENT
117 North Robertson Boulevard
Los Angeles, CA 90048 USA
Phone: 1-310-385-6900
Fax: 1-310-385-6910
www.nousmodels.com

Thursday, November 12, 2009

Screenplay Writer Blog

Screenplay Writer Blog

Wednesday, November 11, 2009

How to Find a Screenplay Agent to Help Sell a Script

You have written a script and you have polished it until it shines. Now, you need to find an agent to help you sell your screenplay to a publisher or producer. Follow these steps to find a screenplay agent.

  1. Step 1

    Go to the library or buy books on agents. Two of the best are "The Guide to Literary Agents" and "The Agents Directory." Both of these books are published annually—make certain you get the most recent edition of both books. You can also go online and enter in "script agents" into the search bar.

  2. Step 2

    Look for agencies that accept your script's genre. For example, if your script is a horror film, look for agents that like horror.

  3. Step 3

    Choose those agencies that are newer and are just beginning to establish their agencies—-something you can tell by reading the descriptions given in the books. These agencies, like Greenstein-Shannon Management in Hollywood, are hungry and are more willing to work with inexperienced screenwriters, thereby growing their client list. Of the agencies that are more established, make certain you list the ones who are taking submissions and are willing to accept scripts from new screenwriters.

  4. Step 4

    Check the credits of the movies you like for the screenwriter. Contact the Writers Guild of America, either online or by calling them, to learn the name of the agent who represents the screenwriter.

  5. Step 5

    Attend a writers conference. These can be excellent places to not only learn more about agents, since you get to actually interact with them, but you can learn what an agent is looking for. Read scripts that have sold.

  6. Step 6

    Arrange your list in the following fashion: those agencies located in Los Angeles or Hollywood at the top of the list, those just outside LA and Hollywood, and on until you include the agencies located in New York.

  7. Step 7

    Check all of the script agents on your list against those listed through the Writer's Guild of America. The WGA provides a list which is updated bi-monthly on its website. If one of the agencies on your list is not included in the WGA site, do not send your script to that agency.

  8. Step 8

    Send out the query letters beginning with the ones in LA and Hollywood. Sending out ten letters at a time is a good start. Should a rejection letter come back, send out another query letter to the next agency on your list. Dont be afraid to try something like twitter to get the word out too.

As always, I can be reached for questions or comments at 323.898.5350 or TalentCreative@gmail.com